My work is composed of exuberantly whimsical abstractions, where color and organic forms prevail. Using every-day observances as an influence, layers of pigment construct layers of meaning. By considering personal moments and interactions of the universal human experience, the spectator is drawn in to a fictitious and heartwarming universe that emerges bit by bit. Works appear as dreamlike images in whihc past and present merge; nostalgia, sentiment and a sense of uptopian harmony often play a role as a means of adding charm to everyday life.
As an artist, I enjoy the exchange between the artwork and the viewer, and I encourage the viewer to make his or her own connections to the work. As such, my works do not reference a specific identifiable form- thereby allowing the imagery to facility fluidity in meaning and multifaceted interpretations based on the life expierences of the viewer- be it vintage television sets, aristocratic fruit, or hanging lanterns... Frequently the viewer's own sense of nostalgia comes to light.
Aesthetically, I am influenced by a broad range of styles: the line work of the Ancient Mayans, the bright colors and compositions of Pop Art, the fantasy of Surrealism and our Postmodern Visual Culture.
A note specific to my more recent portait works:
Entirely separate from my artwork, I began a family tree research project which I very much enjoyed. One day it occurred to me to merge my newfound interest in ancestry with my on-going portrait series, with the goal of ultimately creating a quirky, upbeat timeline of sorts. For this current project, I am considering only those ancestors who passed before my own lifetime (ranging from the 1100's up to those born in the early 20th century) as inspiration for the abstract portrait figures. Sometimes I know a smidge about the individual- what he or she did for a living or a war in which they fought, but more often I just have a name and a set of dates. Each figure is researched as to the garb of that particular era when he or she lived. It is with these bits of information (name, culture & traditional costume of the time period) that inspiration is drawn to re-imagine the past. The portraits are hand drawn using color pencil on birch panels. The backgrounds are purposely left untouched to display the natural toned wood grains- a substance which itself transends history.
Caren Kinne creates upbeat works of art that resonate with the young & the young at heart. Born and raised in the renowned Berkshires of western Massachusetts, it is from here that she works in her bright and cozy studio in the heart of the rich artistic culture & scenic countryside of the area. As a child, drawing was always a favorite form of entertainment for Caren which over time evolved into a life long passion for the visual arts. Caren graduated Magna Cum Laude with a Bachelor of Fine Art degree with a concentration in painting. In addition she has taken a number of graduate level art & art education courses. Caren has shown her work in exhibitions both nationally and internationally, and has won several art awards.
Aside from making colorful works of art, some of Caren's more favorite things are: Time with family & friends, her dogs Poppy & Tuggy the pug, coffee, optimism & all things retro.